We were very proud of the album at the time, and listening back to it recently I really enjoyed it. But we "danced the devil" away from ZTT as soon as we could.
A glimpse into Glen Hansard’s tour diary while on the road with The Frames' fourth album For The Birds (2001) - including reflections on their first landmark Olympia show (March 30th, 2001)
With the release of their fourth and finest album "For The Birds", THE FRAMES have zoomed straight into the Irish top ten for the first time. Now, with critical acclaim ringing in their ears, and their glowing fanbase sensing that something special may be about to take place, they prepare to take the Green Energy Weekend by storm. could it be their time has finally come? Interview: KIM PORCELLI. plus mainman GLEN HANSARD gives us a glimpse inside his private diary. out of frame: MICK QUINN
The industry may not have always liked them but their fans couldn’t be more passionate. Ten members, four studio albums, three managers and two major labels later, The Frames still managed to add up to more than the sum of their parts. Peter Murphy, with help from Glen Hansard and other key players brings the story of the band up to date in this, the final part of our two-part special [Photo Mick Quinn]
Following on from Hot Press' extensive polling of musicians around Ireland, we herewith present The 100 Greatest Irish Albums Of All Time as voted by You, the population of hotpress.com
It’s Christmas, time for some of the leading lights of the Irish musical family to return from far-flung stages and convene for a traditional evening of reflection, revelation, conversation, merriment and, well, gargle. The guests: Glen Hansard and Colm Mac Con Iomaire of The Frames, Gemma Hayes, Mundy and David Kitt.
Following the huge commercial success of Set List and ‘Fake’, The Frames look poised to ascend to rock’s premier league with the upcoming worldwide release of the Burn The Maps album. Kim Porcelli joins the band on the day of their triumphant show at Marlay Park to discuss the pros and cons of pop-stardom, the departure of dave odlum, the abiding influence of mic christopher, and the challenge of creating their most eagerly anticipated record yet.
The shoes fit. Their suits are made to measure and the skin's all their own. Finally, after more schizophrenic shifts than a busload of Hannibal Lectors, The Frames have found their own identity and they're not afraid to bask in its glories.
This mini-album had its genesis in the Irish tour undertaken late last year by The Frames, Jubilee Allstars, David Kitt and Dave Cleary, but it's calibre makes it more than just a souvenir of that jaunt.
Believers view Hansard & Co’s brew of emotive folk-tinged rock as a shining example of durability and authenticity in image-obsessed days. Atheists see it as the grim apotheosis of the strain of phoney singer-songwriting that was especially virulent in Dublin at the latter part of the last decade. Agnostics remain largely unmoved. The Cost, it has to be said, is not a record that will inspire many cross-camp defections.
"The Foos rock out royally, the reverberations from the kick drum dislodging confetti from the ceiling": Hannah Hamilton - and hotpress.com's three prizewinning guest reviewers - report from the Point's front line
In the new Hot Press, Peter Murphy picks his 20 highlights from the last 35 years of home-grown alternative culture (in strictly chronological order!). Take a look and then have your say on the indie moments that rocked in your lifetime...
